俄耳甫斯 Орфей

Still a sucker for films that linger on scenes of solitude, scenes of a single person going about their routine for long, long time. It lost a bit of steam towards the end imo with the living room music performance but before that it captures a dreamy atmosphere quite well, yup, as somebody here mentioned, shoegaze is the right word. A probably faithful documentation of people he knows with completely fiction feature forms. Claps for the filmmaker inserting Loft Underground reference into this film, let the sound of that bell ripples through the screen and multiplies unto the ones on the receiving end.

自赏电影，用绵延的长镜贪婪地吸收场景内每一份情悸。音乐道明了离别，也延展出标题含有的神话性，并以不同形式流动于生活中(街边，车内，主人公的弹奏)。虚实结合得挺溜，忠实地纪录着年轻一代的喃喃自语与其余音的回响。

++ 坠落的时间。尽管讲述着神话，位移和摇晃从未越过建构望向别处，似乎可看作某种气流的盘旋。这样的忠实在后段夜晚的场景里越发珍贵，随着歌唱，爱欲如坠水的飞鸟调整着动势，待飞起刹那投下积攒的阴影，这只关乎着一个眼神、一次休息。但如何相信还有行走下去的动力？

“Love is the fog of soul, why didn’t it disappear then.”

7.8 #MarDelPlata# 谁的房间？似乎到后面越来越模糊，那里似乎是任何人的房间和窗台。像是进入了梦境，又或者这是每个同龄人或每个还困在俄罗斯的人的房间。孤独一定是共通的。俄耳甫斯身处一个炼狱般的国度里，打开新闻只让焦虑加重。而拯救依然是有希望的，自己可以选择拯救自己，ta行走，选择陪伴，选择音乐，选择爱也可以选择离开。